

Check out her description of the first painting, translated from Chinese :
A Non-Stop Big Rope Game
Related links:
matchbox art
start drawing
my brain is scattered & fizzy; i fall in love every other minute and then forget the object of admiration/ concentration/affectation ten minutes later. so this little personal blog will try to remind me of the daily bits of sugar that make me giddy.





I can't remember what else we talked about because I got kind of tippled what with the gin I sucked down before he got to the bar, and the jovial spirit of Riffifi that encourages continual imbibement - every dating advice list I've ever seen advises against getting drunk on a first date, but what can you do?
Chapter One: Heaven and Earth in Jest
I used to have a cat, an old fighting tom, who would jump through
the open window by my bed in the middle of the night and land on my chest.
I'd half-awaken. He'd stick his skull under my nose and purr, stinking
of urine and blood. Some nights he kneaded my bare chest with his
front paws, powerfully, arching his back, as if sharpening his claws,
or pummeling a mother for milk. And some mornings I'd wake in daylight
to find my body covered with paw prints in blood; I looked as though I'd been painted with roses.
It was hot, so hot the mirror felt warm. I washed before the
mirror in a daze, my twisted summer sleep still hung about me like sea kelp.
What blood was this, and what roses? It could have been the rose of union, the blood of murder, or the rose of beauty bare and the blood of some unspeakable sacrifice or birth. The sign on my body could have been an emblem or a stain, the keys to the kingdom or the mark of Cain. I never knew. I never knew as I washed,
and the blood streaked, faded, and finally disappeared, whether I'd purified myself or ruined the blood sign of the passover. We wake, if we ever wake at all, to
mystery, rumors of death, beauty, violence. . . . 'Seem like we're
just set down here,' a woman said to me recently, 'and don't nobody
know why.'
These are morning matters, pictures you dream as the final wave heaves
you up on the sand to the bright light and drying air. You remember
pressure, and a curved sleep you rested against, soft, like a scallop in its shell. But the air hardens your skin; you stand; you leave the lighted shore to explore somedim headland, and soon you're lost in the leafy interior, intent, remembering nothing."
Who couldn't be hypnotized by the sounds of a music box? There's something so wonderfully eerie found in its echos and reverb - ghostlike, childlike. I've been thinking that maybe I would like to collect music boxes - though only if I could assure myself that I'd stick with it and accumulate tons of them, I want to be known as the girl who collects weird old music boxes. Secretly I want to be like the cranky old man from Pollyanna with prisms strewn through his house - I feel like collecting music boxes could help me reach this goal.
With this in mind, I started thinking about musicians that utilize music boxes in various fashions in their music. I know I've heard it done lots, but here are a few I came up with at the moment.
The first time I heard this done was on The Fakes record, on the song Pretty Ballerina Pleasure. Song opens with that same tinkling tune that every jewelry box with a pop up twirling ballerina plays - most girls will recognize this song even if they never owned one themselves. The rest of the song is a sort of riot grrrl cacophony of distorted whispered singing about being a pretty little girl.
The art punk psych folk new weird america band, CocoRosie, released an album in 2003, La Maison de Mon Rêve that is described as deceptively innocent: enchanting and sweet yet eerie and twisted. An acoustic guitar paints melody through a haze of cryptic sounds and perversely angelic voices. A broken radio transmits a music box orchestra. Tiny field mice sing gospel. A music box orchestra! Sounds of broken toys dancing in the fields! An operatic voice singing from behind a mask of tragedy. You see what I mean, how wonderful, how wonderful!
Bjork. Vespertine. From an interview with David Hemingway, printed in Record Collector Magazine. I'd always wanted to work with music boxes but it was waiting for the right occasion. I'd been collecting them and stuff. The main thing was that I wanted to write my own songs in music boxes. In the beginning, the music box company weren't very excited. They'd made wooden boxes for eons and I wanted see-through plexiglass. They couldn't get their head round it - they were like 'Why?' They wanted to make the plonky sound softer with wood but I wanted it as hard as possible, like it was frozen. In the end, they said it was the best thing they'd ever done. Enough said, perhaps?
My last musicbox music recommendation is from a girl from France named Colleen. Or wait, does she perform music as Colleen when her name is something else? I am not sure, but you should definitely listen to this radio show, archived on the WNYC website from October, where she talks about the music she creates with a mix of acoustic instruments - classical guitar, music boxes, cello, bells - and electronic digital delays. She performs four songs live on air.

Just look at that plastic dish of salty non-meaty gooey goodness. Delicious, I say, delicious.